At school in Cold-War Japan, Arai heard firsthand accounts from visiting hibakushas, survivors of Hiroshima or Nagasaki. His imagination of the nuclear apocalypse was also shaped by films and cartoons, often from Hollywood. The iconic mushroom cloud was rarely witnessed on the ground but was photographed from above by the very bombers that carried out the attack. In these ways, Japan’s visual memory of the bombings was shaped retrospectively, often through external perspectives.
Through its approach, the project challenges dominant historical representations and invites new ways of seeing.
The shortlist exhibition will be on view at the Victoria & Albert Museum, 26 September - 19 October.
For further details of Prix Pictect please visit here.