Jorma Puranen (born 1951, Helsinki, Finland) explores in his work themes of history, culture, identity and memory, creating a dialogue between the past and the present.

 

In the series Icy Prospects conceptual images of northern landscapes merge with aspects of mythology, history and the dream-like. The images reflect a place that is borderless, floating in time. 'For fifteen years I have been engaged in landscape related projects in which I have aimed to generally prevent the beholders from the opportunity of directly admiring the scenery by putting something in between them and the subject'. (Jorma Puranen)

 

With the series, Shadows, reflections and all that sort of thing, Puranen readdresses historical portraits, using 17th and 18th Century paintings as his point of departure. Rather than concentrating on the objects themselves, he studies the reflections, shadows, brushstrokes and cracks on their surfaces; the layers of uncertainty in between the object and the viewer. As he writes, 'Photography's capacity to register reflections is actually its singular gift. What other medium deals so expressively with the play of light and shadow?'

 

In Imaginary Homecoming Puranen enlarged photographic images and texts, drawn from ethnological and anthropological collections, and physically placed them into the northern landscape. He questions the past and modes of belonging, the relationship between memory and the experience of place and the cultural meanings relating people to the land.

 

Jorma Puranen is one of Finland's best known photographers, with his work held in many major international collections including: Kiasma Museum of Contemporary Art, Helsinki; Maison Européenne de la Photographie, Paris; Moderna Museet, Stockholm; Musée de la Photographie, Charleroi; Stedelijk Museum, Amsterdam and Victoria & Albert Museum, London. His distinguished career has included a tenure as Professor of Photography at the Aalto University School of Arts, Design and Architecture, Helsinki.