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Leila Jeffreys, From the series, The wound is the place where the light enters, Bonsai No. 2, 2022 -
Pierre Bergian, Le Paravent d'Angèle, 2022 -
Kathrin Linkersdorff, From the series Fairies, IV/15, 2021 -
Céline Bodin, From the series Venus Variations, Colonna Venus, 2020 - 2023 -
Takashi Arai, Multiple Monuments for 1000 Women , 2020 -
Diana Matar, From the series Tête à Tête, No.9 Unidentified Portrait, 2019 -
Ørnulf Opdahl, Rain in Spring (Regn om Varen), 2019 -
Jorma Puranen, Seascape 7, 2019 -
Edgar Martins, From the series What Photography & Incarceration have in Common with an Empty vase, Example of Photography as Catharsis 2, 2018 -
Tessa Traeger, From the series Chemistry of Light No.23, Tinted ambrotype c.1890 2.25 x 2.7 in, black lacquer backing in decay, 2012 -
Anni Leppälä, Static Red Balloon, 2010 -
Joakim Eskildsen, From the series Roma, Leskovo III, Russia, 2000-06 -
Alice Maher, Berry Dress, 1994 -
Christelle Tea, Passion fruit, Risebakehouse, Singapore, 25.VI.2024 -
Pierre Bergian, Palazzo dei Conservatori, Rome, 2026 -
Omar Fakhoury, Rubber Tree 4, 2026 -
Santeri Tuori, Black Tree 2, 2025 -
Jatinder Singh Durhailay, Sacred Roots , 2025 -
Anais Tondeur, Wild legume pods, 2024 -
Jonathan Delafield Cook, Black Arches (Lymantria monachal) , 2023 -
David Quinn, No. 43, 2023 -
Sandra Kantanen, From the series Herbarium, Clematis (Clematis), 2022 -
Leila Jeffreys, From the series, The wound is the place where the light enters, Bonsai No. 3, 2022 -
Céline Bodin, From the series Venus Variations, Medici Venus, 2020 - 2023 -
Edgar Martins, From the series What Photography & Incarceration have in Common with an Empty vase, Untitled , 2020 -
Takashi Arai, Multiple Monuments for 1000 Women , 2020 -
Kathrin Linkersdorff, Florizenzen 1, 2019 -
Diana Matar, From the series Tête à Tête, No.12 Unidentified Portrait, 2019 -
Jorma Puranen, Seascape after Rain, 2019 -
Susan Derges, Tide Pool 31, 2014-15 -
Marcia Kure, Installation, Conformity, Purdy Hicks Gallery, 2014 -
Tessa Traeger, From the series Chemistry of Light No.6, Glass negative c.1890 12 x 10 in silver gelatin emulsion in decay, 2012 -
Alice Maher, Europa, 2010 -
Joakim Eskildsen, From the series Roma, Mironu III, 2000-06 -
Christelle Tea, Fraisier matcha, pâtisserie Petit Lys, Paris, 27.III.2024 -
Ørnulf Opdahl, Spor i Fjell -
Omar Fakhoury, Rubber Tree 6, 2026 -
Pierre Bergian, The Long Gallery, Castle Howard, Inspired by a painting by John Jackson, 2026 -
Santeri Tuori, Black Tree 4, 2025 -
Ciara Roche, Night in November, 2025 -
Sandra Kantanen, Distortion 1, 2023 -
David Quinn, Untitled (Blue), 2023 -
Leila Jeffreys, From the series, The wound is the place where the light enters, Branch No.1, 2022 -
Céline Bodin, From the series Venus Variations, Crouching Venus , 2020 - 2023 -
Takashi Arai, Still from video Anti-Monument for 1000 Women and the Former Imperial Japanese Army Clothing Factory, Hiroshima, 2020 -
Kathrin Linkersdorff, Florizenzen 4, 2019 -
Diana Matar, From the series Tete a Tete, No.13 Unidentified Portrait, 2019 -
Jorma Puranen, Seascape after Rain 2, 2019 -
Edgar Martins, From the series What Photography and Incarceration have in common with an empty Vase - Diary Entry from Inmate A 1st April, 2018 -
Tessa Traeger, From the series The Calligraphy of Dance, No.17, The King's Leg c.1680, 2014 -
Susan Derges, Eden 2, 2004 -
Alice Maher, Limb, 2003 -
Joakim Eskildsen, From the series Roma, Rubina and Bilian's House, Stefanesti, 2000-06 -
Anaïs Tondeur, Linum strictum Exclusion Zone, Chernobyl, Radiation level: 1.7 Microsieverts, From the series Chernobyl Herbarium, 2011 – ongoing -
Andrzej Jackowski, Light-Years, 2021 -
Ørnulf Opdahl, Avalanche (Skred) -
Christelle Tea, Fôret noire, Stohrer, 1.III.2024 -
Omar Fakhoury, Rubber Tree 9, 2026 -
Santeri Tuori, Black Tree 5, 2025 -
Sandra Kantanen, Distortion 2, 2023 -
David Quinn, Installation (Untitled series), 2023 -
Leila Jeffreys, From the series, The wound is the place where the light enters, Branch No.2, 2022 -
Céline Bodin, From the series Venus Variations, Rokeby Venus, 2020 - 2023 -
Diana Matar, From the series Tête à Tête, No.46 Unidentified Portrait, 2019 -
Ørnulf Opdahl, Shetland, 2019 -
Edgar Martins, From the series What Photography and Incarceration have in common with an empty Vase - Diary Entry from Inmate A 27th March, 2018 -
Jorma Puranen, From the series Memorandum of Loss, Lost in Stars , 2017 -
Kathrin Linkersdorff, Wabi-Sabi II/5, 2017 -
Tessa Traeger, From the series The Calligraphy of Dance, No.18, The King's Fine Calf c.1552, 2014 -
Alice Maher, Chaplet, 2003 -
Joakim Eskildsen, From the series Roma, Sapera Girl, Jaisalmer District, India, 2000-06 -
Susan Derges, Shoreline 10 September, 1998 -
Anaïs Tondeur, Helianthus Annuus, Exclusion zone, Chernobyl, Ukraine Radiation level: 1.7 Microsieverts, From the series Chernobyl Herbarium, 2011 – ongoing -
Christelle Tea, Creme strawberry souffle, Hefaure, london, 28.V.2024 -
Ciara Roche, November Sun , 2025 -
David Quinn, Installation (Untitled series), 2023 -
Santeri Tuori, Water Lilies 28, 2023 -
Alice Maher, Women in Ecstasy 2, 2023 -
Leila Jeffreys, From the series, The wound is the place where the light enters, Branch No. 3, 2022 -
Pierre Bergian, Soanemania, 2022
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